University of Minnesota Twin Cities Catalog Fall, 2020
Courses listed in this catalog are current as of 2020-09-01. For up-to-date information, visit www.catalogs.umn.edu. 126
social affiliations and attitudes towards others
on the scale of millions of people?what we
might call ?mass culture.? We will explore
how popular music produces emotion, a sense
of intoxication, and erotic desire; how it can
be linked with self-discipline, bodily exercise,
state security, sovereign authority, patriotism,
courage, punishment, and violence; and
how music might be heard related to labor
and work, consumerism and consumption,
and capitalism more broadly. We will puzzle
over the ways music can give coherence to
a cultural group, accompany moral education
and action, challenge or reinforce gender
conventions, mobilize and disperse political
resistance, or lead one into a trance of spiritual
and religious ecstasy. While we will still attend
to a variety of ?purely? musical elements both
large and small (chords, verses, choruses,
singing styles, lyrics, etc.), our central focus
will be on forming a more philosophical view of
its functions within popular culture. Genres to
be discussed include rock, pop, hip-hop, R&B,
electronic dance music, performances of the
national anthem, and experimental music.
CSCL 3281. European Intellectual History:
The Early Modern Period, Antiquity to 1750.
(3 cr. ; Student Option; Periodic Fall)
First of a two-semester course. European
thought in its historical/cultural context.
Emphasizes development of philosophical/
scientific thought, its relation to thinking about
the individual and the community. Readings
from original sources.
CSCL 3282. European Intellectual History:
The Modern Period, 1750-Present. (3 cr. ;
Student Option; Spring Even Year)
Second of a two-semester course. European
thought in its historical/cultural context.
Emphasizes development of philosophical/
scientific thought, its relation to thinking about
the individual and the community. Readings are
from original sources.
CSCL 3310W. The Rhetoric of Everyday
Life. (CIV,WI; 3 cr. ; Student Option; Every
Fall & Spring)
How discourse reproduces consciousness and
persuades us to accept that consciousness
and the power supporting it. Literary language,
advertising, electronic media; film, visual
and musical arts, built environment, and
performance. Techniques for analyzing
language, material culture, and performance.
(previously 3173W)
CSCL 3322. Visions of Nature: The Natural
World and Political Thought. (ENV; 3 cr. ;
Student Option; Every Spring)
Scientific and cultural theory concerning the
organization of nature, human nature, and their
significance for development of ethics, religion,
political/economic philosophy, civics, and
environmentalism in Western/other civilizations.
CSCL 3323. Science and Culture. (AH; 3 cr. ;
Student Option; Every Spring)
Science and technology engaged through
historical and cultural manifestations from
film, literature, and YouTube to scientific
and philosophical essays. Relations among
humanities, science, economics, politics,
philosophy and history. Psychiatry and drugs,
food and agriculture, sexuality, religion and
science, climate change.
CSCL 3334. Monsters, Robots, Cyborgs.
(LITR; 3 cr. ; Student Option; Every Fall &
Spring)
Historical/critical reading of figures (e.g.,
uncanny double, monstrous aberration,
technological hybrid) in mythology, literature,
and film, from classical epic to sci-fi,
cyberpunk, and Web. (previously 3461)
CSCL 3335. Aliens: Science Fiction to
Social Theory. (DSJ; 3 cr. ; Student Option;
Every Fall & Spring)
In English, the word ?alien? designates both
immigrants from other countries and beings
from other worlds. Aliens of all sorts are
everywhere; they tend to provoke fascination,
fantasy, and for many, fear and anxiety. But the
deeper philosophical significance of aliens says
as much about us as it does about them. In this
course, we will explore these questions through
a range of novels, films, and artworks from the
1890s to the present day, with an emphasis on
science fiction and American popular culture.
CSCL 3350W. Sexuality and Culture.
(DSJ,WI; 3 cr. ; Student Option; Periodic Fall &
Spring)
Historical/critical study of forms of modern
sexuality (heterosexuality, homosexuality,
romance, erotic domination, lynching). How
discourses constitute/regulate sexuality.
Scientific/scholarly literature, religious
documents, fiction, personal narratives, films,
advertisements.
CSCL 3351W. The Body and the Politics
of Representation. (HIS,WI; 3 cr. ; Student
Option; Every Fall & Spring)
Western representation of the human body,
1500 to present. Body's appearance as a site
and sight for production of social and cultural
difference (race, ethnicity, class, gender).
Visual arts, literature, music, medical treatises,
courtesy literature, erotica. (previously 3458W)
CSCL 3352W. Queer Aesthetics & Queer
Critique. (DSJ,WI,LITR; 3 cr. ; Student Option;
Periodic Fall & Spring)
Is there such a thing as global queer
aesthetic? If so, how do various modes of
representation and expression (novels, poetry,
and sophisticated uses of language across film,
television and video, digital media, pop music
and punk) elaborate and enact queerness in
particular material ways while also helping to
create a larger, intermedial queer culture?
CSCL 3405. Marx for Today. (AH,DSJ; 3 cr. ;
Student Option; Every Spring)
This course provides students with an
introduction to Marxist theory, with particular
attention to its relevance for the contemporary
world. The course will focus on Marx's writings
themselves as well as a range of applications
and case studies as they relate to gender,
race, ethnicity, and social inequality. Among
the many topics to be considered include
topics like modes of production, labor, profit
and surplus value, slavery and race, gender
and domestic labor, finance capital and crisis,
and environmental sustainability. Students will
be required to take two exams, in addition to
completing a final paper. It is a discussion-
based course, and active participation, close
reading, and analytical writing will be expected.
CSCL 3412W. Psychoanalysis. (WI; 3 cr. ;
Student Option; Every Fall)
The work of Sigmund Freud has withstood
years of controversy to install itself as
foundational to the way we understand the
relationship between individual desires, social
structures, and cultural practices. This is in part
because Freud?s writings were not restricted
to the domain of psychology. His writings
also renewed grand philosophical questions
in ways that dramatically transformed them.
He asked: What is a human subject? What
are the causes of her actions? What are the
nature and motivations of her engagement with
others? In the many decades since his early
publications, Freud?s key concepts like the
ego, the superego, the id, the unconscious,
and the significance of dreams and jokes
have had an enduring influence in Western
culture. This course introduces students
to a range of psychoanalytic writings from
Freud?s early theories of mental structure
and human development to contemporary
applications, re-workings, and critiques of
psychoanalysis. We will discuss concepts
like the unconscious, sexuality, disavowal,
repression, neurosis, melancholia, the pleasure
principle and the death drive. By the end of
the course, we will have developed a sense
of the uses and limitations of psychoanalysis
for understanding pressing global issues such
as sexual identification and its formation,
racism, neo-fascism, extreme political division,
war and nationalism, climate change, and
the destruction of democratic ideals. Authors
read may include Melanie Klein, Franz Fanon,
Jacques Lacan, Julia Kristeva, David Eng,
Slavoj Zizek, Henry Stack Sullivan, Kalpana
Sheshadri- Crooks and Margaret Mahler.
Readings will be complemented with short
stories, literary excerpts, film clips, as well as
discussion of current political issues.
CSCL 3425W. Theories of Culture. (AH,WI; 3
cr. ; Student Option; Every Fall & Spring)
Examination of three prevalent theoretical
perspectives on culture -- philosophical,
anthropological, and aesthetic -- as they
converge in the work of writers who have
contributed to our contemporary conception of
cultural diversity.
CSCL 3896. Internship for Academic Credit.
(; 1-4 cr. ; Student Option; Every Fall, Spring &
Summer)
CSCL students who would like to pursue paid
or unpaid internships can also earn credit
toward their degree. This course includes
a series of reflective assignments on the
internship experience that help students
develop their career goals, aspirations, and
plans. CSCL students often find internships
at media companies, advertising agencies,
film festivals, arts institutions and galleries,
publishing houses, non-profits, and community
organizations. Typically a student?s work is
supervised and evaluated by a site coordinator
and the instructor works with a student on